实例探究 > Lighting for Music Royalty: Nick Whitehouse's Journey with Top Artists

Lighting for Music Royalty: Nick Whitehouse's Journey with Top Artists

地区

America
Asia

国家

United States
Japan

产品

Vectorworks Spotlight
Renderworks
grandMA2 lighting console

技术栈

Vectorworks Spotlight
Renderworks
grandMA2 lighting console

实施规模

Enterprise-wide Deployment

影响指标

Customer Satisfaction
Innovation Output

技术

功能应用 - 远程监控系统
应用基础设施与中间件 - 数据可视化

适用功能

设施管理
商业运营

用例

远程控制
视觉质量检测

服务

软件设计与工程服务
系统集成

关于客户

Nick Whitehouse is a world-renowned lighting designer known for creating awe-inspiring light shows for some of the biggest names in music, including Justin Timberlake, Jay Z, Coldplay, Beyoncé, and Britney Spears. His journey in the industry began with humble beginnings as a stage-tech while attending Notre Dame College in Leeds. He worked primarily at small venues, making connections that eventually led to opportunities with major acts. His first touring experience was with Britpop band Starsailor, which caught the attention of Coldplay. This led to an eight-year touring stint with Coldplay, during which he honed his skills and gained global recognition. A pivotal moment came when Justin Timberlake, impressed by Whitehouse's work with Coldplay, offered him a job on the spot during a show in Tokyo. Although Whitehouse initially turned it down due to his commitment to Coldplay, he later joined Timberlake's team, leading to a collaborative relationship that pushed the boundaries of lighting design.

登录后查看完整内容

挑战

Nick Whitehouse, a world-renowned lighting designer, faced the challenge of creating awe-inspiring light shows for some of the biggest names in music, including Justin Timberlake, Jay Z, Coldplay, Beyoncé, and Britney Spears. His journey began with humble beginnings as a stage-tech while attending Notre Dame College in Leeds. He worked primarily at small venues, making connections that eventually led to opportunities with major acts. His first touring experience was with Britpop band Starsailor, which caught the attention of Coldplay. This led to an eight-year touring stint with Coldplay, during which he honed his skills and gained global recognition. A pivotal moment came when Justin Timberlake, impressed by Whitehouse's work with Coldplay, offered him a job on the spot during a show in Tokyo. Although Whitehouse initially turned it down due to his commitment to Coldplay, he later joined Timberlake's team, leading to a collaborative relationship that pushed the boundaries of lighting design.

登录后查看完整内容

解决方案

Whitehouse's solution to the challenges he faced involved leveraging advanced lighting technologies and software to create unique and adaptable lighting designs. He used Vectorworks Spotlight software to draw rough ideas on paper and then bring them into the software as symbols to ensure they fit different venues. This software allowed him to work in 2D and 3D environments, maneuvering elements to fit various stage sizes and shapes, from large arenas like Madison Square Garden to small stages on television shows. The software's comprehensive tools made it easy to label and keep track of fixture types, quantities, and focus positions. Whitehouse also used Renderworks cameras to guide promoters through sight lines from different seating blocks, helping them maximize sellable seats in every venue. Once the sizing was correct, he generated quick 3D renderings to get feedback from artists. After client approval, he exchanged information with set designers and construction companies to create final light plots, which he then exported into a grandMA2 lighting console using a plug-in created by MA Lighting for Vectorworks software.

登录后查看完整内容

运营影响

Whitehouse's dedication and innovative approach positioned him as a sought-after lighting designer, allowing him to interpret and match his lighting to an artist's unique style.
He engaged in a dialogue with clients to ensure satisfaction with the general aesthetic of the lighting design, starting with rough ideas on paper and then using Vectorworks Spotlight software to refine the designs.
The software's ability to work in 2D and 3D environments with hybrid symbols allowed Whitehouse to quickly see what worked in terms of space and create visually appealing plots.
Whitehouse's use of Renderworks cameras helped guide promoters through sight lines from different seating blocks, maximizing sellable seats in every venue.
His collaborative workflow with set designers and construction companies ensured the creation of final light plots that met client expectations.

登录后查看完整内容

数量效益