Avid Technology > Case Studies > Leveraging Sibelius Ultimate for Versatile Music Composition: A Case Study on Jessica Rudman

Leveraging Sibelius Ultimate for Versatile Music Composition: A Case Study on Jessica Rudman

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Technology Category
  • Application Infrastructure & Middleware - Event-Driven Application
Applicable Industries
  • Education
  • Equipment & Machinery
Services
  • Training
About The Customer
Dr. Jessica Rudman is a modern composer who writes music for choral, opera, chamber, band, and orchestral ensembles. Her work is characterized by a unique approach to melody, harmony, and color, and she often pushes the boundaries of harmonic structure. Rudman's operatic work covers themes such as domestic violence and navigating a male-dominated career. She collaborates closely with the directors of the ensembles she writes for, understanding the skill level of the players, their preferences, and their strengths. Rudman also teaches music composition through the Hartt School Community Division, which provides courses for students of any age and experience.
The Challenge
In the modern music industry, composers are required to be highly adaptable, creating music for a variety of ensembles and performers with varying skills. They often need to repurpose their music for different situations, which can be a challenging task. Dr. Jessica Rudman, a modern composer, faced this challenge as she created music for choral, opera, chamber, band, and orchestral ensembles. She needed to adapt her unique approach to melody, harmony, and color to suit different types of ensembles and players. Additionally, she had to work closely with the directors of the ensembles, understanding the skill level of the players, their preferences, and their strengths. This required a music notation software that could easily adapt to changes mid-composing, ensuring that the score and parts match perfectly.
The Solution
Sibelius Ultimate was the solution to Rudman's challenge. It provided her with the tools to create music and publish parts at a pace consistent with her rehearsals and performance schedule. The software allowed her to create music for a variety of ensembles and players with different backgrounds. It also enabled her to make significant changes during the composing process, such as adding or removing parts for members of the ensemble. Sibelius Ultimate's multi-edit selections feature allowed Rudman to quickly change parts and revise complex passages, ensuring that the score and parts remained identical. The software also made it easy to create different versions of a score, which was particularly useful for opera, where composers often need to create a piano version of the score for rehearsal purposes, in addition to their orchestrated version. Furthermore, Sibelius Ultimate's playback feature and its ability to integrate with Pro Tools were helpful in rehearsals.
Operational Impact
  • Sibelius Ultimate provided Rudman with the versatility she needed to adapt her music for different situations. It allowed her to work closely with the directors of the ensembles, understanding the skill level of the players and their preferences. The software also enabled her to make significant changes during the composing process, ensuring that the score and parts matched perfectly. This was particularly important when working with students, as it allowed her to revise complex passages and change parts quickly. Furthermore, Sibelius Ultimate's ability to create different versions of a score and its integration with Pro Tools were beneficial in rehearsals. Overall, the software helped Rudman to create professional, ready-to-play music, which is crucial for composers looking to get their work performed or commissioned.
Quantitative Benefit
  • Sibelius Ultimate allowed Rudman to work on four different commissions simultaneously, each with different themes, ensembles, and lengths.
  • The software enabled her to quickly revise complex passages and change parts, ensuring that the score and parts remained identical.
  • Sibelius Ultimate made it easy to create different versions of a score, which was particularly useful for opera.

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